| Snow Scale | Stephen Partridge | 1974 |
| Still Life with Monitor | Chris Meigh-Andrews | 1984 |
| Interlude (Homage to Bugs Bunny) | Chris Meigh-Andrews | 1983 |
| Time Travelling/ A True Story | Chris Meigh-Andrews | 1984 |
| The Room with a View | Chris Meigh-Andrews | 1982 |
| The Distracted Driver | Chris Meigh-Andrews | 1980 |
| Horizontal & Vertical | Chris Meigh-Andrews | 1978 |
| The Viewer's Receptive Capacity | Chris Meigh-Andrews | 1978 |
| Continuum | Chris Meigh-Andrews | 1977 |
| Chris Meigh-Andrews | | |
| Monitor | Stephen Partridge | 1975 |
| Michael Upton | | |
| Scrutiny | Stephen Partridge, Michael Upton | 1974 |
| Stephen Partridge | | |
| Hamish Fulton | | |
| Gilbert & George | | |
| Two Drawings on Glass | Catherine Elwes | 1978 |
| Cate and Shauna Play Quietly | Catherine Elwes | 1978 |
| Tennis Dialogues | Catherine Elwes | 1979 |
| Kensington Gore | Catherine Elwes | 1982 |
| The Critic's Informed Viewing | Catherine Elwes | 1982 |
| Nostalgia | Catherine Elwes | 1982 |
| Myth | Catherine Elwes | 1983 |
| Sleep | Catherine Elwes | 1984 |
| There Is a Myth | Catherine Elwes | 1984 |
| With Child | Catherine Elwes | 1984 |
| Catherine Elwes | | |
| Inner Visions | Brian Hoey | 1983 |
| Party Piece | Brian Hoey | 1982 |
| Flow | Brian Hoey, Wendy Brown | 1977 |
| Drift | Brian Hoey, Wendy Brown | 1979 |
| Tir Na Nog | Brian Hoey | 1980 |
| Video Art 78 | | |
| Spered Hollvedel | Brian Hoey | 1977 |
| Videvent | Brian Hoey | 1975 |
| Untitled Compilation | Brian Hoey | 1974 |
| Video Notes | Brian Hoey | 1974 |
| Brian Hoey | | |
| The Kiss | Anna Ridley | 1984 |
| Sensible Shoes | John Adams | 1983 |
| Stories | John Adams | 1982 |
| Bob and Jill (Pt 2) | John Adams | 1982 |
| Kick in the Eye | John Adams | 1978 |
| John Adams | | |
| Outer Colour | Mineo Aayamaguchi | 1985 |
| Inner Colour | Mineo Aayamaguchi | 1984 |
| Feet | Mineo Aayamaguchi | 1983 |
| Flower | Mineo Aayamaguchi | 1983 |
| Pictura | Mineo Aayamaguchi | 1983 |
| Landscape | Mineo Aayamaguchi | 1983 |
| Here-Now & Space | Mineo Aayamaguchi | 1982 |
| A Situation Envisaged: The Rite | David Hall | 1980 |
| The Situation Envisaged II | David Hall | 1979 |
| The Situation Envisaged | David Hall | 1978 |
| Marceline Mori | | |
| Ghost Story | David Hall | 1978 |
| TV Fighter (Cam Era Plane) | David Hall | 1977 |
| Narcissus II | David Hall | 1976 |
| Waterwork | David Hall | 1976 |
| This is a Television Receiver | David Hall | 1976 |
| BBC TV | | |
| Waterwork | David Hall | 1976 |
| 101 TV Sets | David Hall, Tony Sinden | 1975 |
| Vidicon Inscriptions | David Hall | 1975 |
| This is a Video Monitor | David Hall | 1974 |
| Anna Ridley | | |
| Artist Placement Group (APG) | | |
| Gallery House | | |
| Tony Sinden | | |
| Progressive Recession | David Hall | 1974 |
| Arts Council of Great Britain | | |
| Relative Surfaces | David Hall | 1974 |
| Vidicon Inscriptions | David Hall | 1973, 1974 |
| 60 TV Sets | David Hall, Tony Sinden | 1972 |
| Cosmic Dance | Peter Donebauer | 1972 |
| Royal College of Art (RCA) | | |
| Experiments Autumn 1971 | Peter Donebauer | 1971 |
| Peter Donebauer | | |
| Artist Placement Group (APG) documentation | Mike Leggett | 1971 |
| Mike Leggett | | |
| One | Ian Breakwell | 1971 |
| Ian Breakwell | | |
| David Hall | | |
| Walking A Straight 10 Miles Forward And Back Shooting Every Half Mile | Richard Long | 1969 |
| Richard Long | | |